7 wonders 

The Seven Wonders of the World (or the Seven Wonders of the Ancient World) is a widely-known list of seven remarkable constructions of classical antiquity. The earliest known version of the list was compiled in the 2nd century BC by Antipater of Sidon; it appears to be based on the guide-books popular among Hellenic sight-seers and only includes works located around the Mediterranean rim.

Listed in order of their construction, the seven wonders are....

1.the Great Pyramid of Giza

2.the Hanging Gardens of Babylon

3. the Statue of Zeus at Olympia

4.the Temple of Artemis at Ephesus (The site is 2 Hours from BODRUM)

5. the Mausoleum of Maussollos at Halicarnassus (BODRUM Location Halicarnassus)

6. the Colossus of Rhodes

7. the Lighthouse of Alexandria

Of these, the only one which has survived to the present day is the oldest—the Great Pyramid at Giza. The Great Pyramid was built by the ancient Egyptians, the Hanging Gardens by the Babylonians, and the Maussollos Mausoleum by the Hellenized Carians; the Lighthouse of Alexandria and the Colossus of Rhodes by Hellenistic civilization; the others were built by the ancient Greeks. Interestingly, two of the wonders, the Temple of Artemis and the Statue of Zeus, were destroyed by fire, and three of the other wonders, the Lighthouse of Alexandria, Colossus, and Mausoleum of Maussollos, were destroyed by earthquakes.

The Temple of Artemis at Ephesus TURKEY

Artists impression of the Temple of Artemis/ephesus.

The first shrine to the Goddess Artemis was probably built around 800 B.C. on a marshy strip near the river at Ephesus. The Ephesus Goddess Artemis, sometimes called Diana, is not the same figure as the Artemis worshipped in Greece. The Greek Artemis is the goddess of the hunt. The Ephesus Artemis was a goddess of fertility and was often pictured as draped with eggs, or multiple breasts, symbols of fertility, from her waist to her shoulders.
 
The shrine was destroyed and rebuilt several times over the next few hundred years. By 600 B.C., the city of Ephesus had become a major port of trade and an architect named Chersiphron was engaged to build a new large temple. He designed it with high stone columns. Concerned that carts carrying the columns might get marred in the swampy ground around the site, Chersiphron laid the columns on their sides and had them rolled to where they would be erected. This temple didn't last long. In 550 B.C. King Croesus of Lydia conquered Ephesus and the other Greek cities of Asia Minor. During the fighting, the temple was destroyed. Croesus proved himself a gracious winner, though, by contributing generously to the building of a new temple. This was next to the last of the great temples to Artemis in Ephesus and it dwarfed those that had come before.
 
The architect is thought to be a man named Theodorus. Theodorus's temple was 300 feet in length and 150 feet wide with an area four times the size of the temple before it. More than one hundred stone columns supported a massive roof. The new temple was the pride of Ephesus until 356 B.C. when a tragedy, by name of Herostratus, struck.
 
Herostratus was a young Ephesian who would stop at no cost to have his name go down in history. He managed this by burning the temple to the ground. The citizens of Ephesus were so appalled at this act they issued a decree that anyone who spoke of Herostratus would be put to death. Shortly after this horrible deed, a new temple was commissioned.
 
The architect was Scopas of Paros, one of the most famous sculptors of his day. Ephesus was one of the greatest cities in Asia Minor at this point and no expense was spared in the construction. According to Piny the Elder, a Roman historian, the temple was a "wonderful monument of Grecian magnificence, and one that merits our genuine admiration." The temple was built in the same marshy place as before. To prepare the ground, Piny recorded that "layers of trodden charcoal were placed beneath, with fleeces covered with wool upon the top of them."
 

The building is thought to be the first completely constructed with marble and one of its must unusual features were 36 columns whose lower portions were carved with figures in high-relief (above).
 
The temple also housed many works of art including four bronze statues of Amazon women. Piny recorded the length of this new temple at 425 feet and the width at 225 feet. Some 127 columns, 60 feet in height, supported the roof. In comparison the Parthenon, the remains of which stand on the acropolis in Athens today, was only 230 feet long, 100 feet wide and had 58 columns. According to Piny, construction took 120 years, though some experts suspect it may have only taken half that time.
 
We do know that when Alexander the Great came to Ephesus in 333 B.C., the temple was still under construction. He offered to finance the completion of the temple if the city would credit him as the builder. The city fathers didn't want Alexander's name carved on the temple, but didn't want to tell him that. They finally gave the tactful response: "It is not fitting that one god should build a temple for another god" and Alexander didn't press the matter .
 
Piny reported that earthen ramps were employed to get the heavy stone beams perched on top of the columns. This method seemed to work well until one of the largest beams was put into position above the door. It went down crookedly and the architect could find no way to get it to lie flat. He was beside himself with worry about this until he had a dream one night in which the Goddess herself appeared to him saying that he should not be concerned. She herself had moved the stone in the proper position. The next morning the architect found that the dream was true. During the night the beam had settled into its proper place.
 
The city continued to prosper over the next few hundred years and was the destination for many pilgrims coming to view the temple. A souvenir business in miniature Artemis idols, perhaps similar to a statue of her in the temple, grew up around the shrine. It was one of these business proprietors, a man named Demetrius, that gave St. Paul a difficult time when he visited the city in 57 A.D.
St. Paul came to the city to win converts to the then new religion of Christianity. He was so successful that Demetrius feared the people would turn away from Artemis and he would lose his livelihood. He called others of his trade together with him and gave a rousing speech ending with "Great is Artemis of the Ephesians!" They then seized two of Paul's companions and a near riot followed. Eventually the city was quieted, the men released, and Paul left for Macedonia. It was Paul's Christianity that won out in the end, though.
 
By the time the great Temple of Artemis was destroyed during a raid by the Goths in 262 A.D., both the city and the religion of Artemis were in decline. When the Roman Emperor Constantine rebuilt much of Ephesus a century later, he declined to restore the temple. He had become a Christian and had little interest in pagan temples.
 
Despite Constantine's efforts, Ephesus declined in its importance as a crossroads of trade. The bay where ships docked disappeared as silt from the river filled it. In the end what was left of the city was miles from the sea, and many of the inhabitants left swampy lowland to live in the surrounding hills. Those that remained used the ruins of the temple as a source of building materials. Many of the fine sculptures were pounded into powder to make lime for wall plaster.
 
In 1863 the British Museum sent John Turtle Wood, an architect, to search for the temple. Wood met with many obstacles. The region was infested with bandits. Workers were hard to find. His budget was too small. Perhaps the biggest difficulty was that he had no idea where the temple was located. He searched for the temple for six years. Each year the British Museum threatened to cut off his funding unless he found something significant, and each year he convinced them to fund him for just one more season.
 
Wood kept returning to the site each year many despite hardships. During his first season he was thrown from a horse, breaking his collar bone. Two years later he was stabbed within an inch of his heart during an assassination attempt upon the British Consul in Smyrna.
 
Finally in 1869, at the bottom of a muddy twenty-foot deep test pit, his crew struck the base of the great temple. Wood then excavated the whole foundation removing 132,000 cubic yards of the swamp to leave a hole some 300 feet wide and 500 feet long. The remains of some of the sculptured portions were found and shipped the to British Museum where they can be viewed even today.
 
In 1904 another British Museum expedition under the leadership of D.G. Hograth continued the excavation. Hograth found evidence of five temples on the site, each constructed on top of the other.
 
Today the site of the temple is a marshy field. A single column is erect to remind visitors that once there stood in that place one of the wonders of the ancient world.

 

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The Maussoleum at Halicarnassus, Bodrum TURKEY


 
In 377 B.C., the city of Halicarnassus was the capitol of a small kingdom along the Mediterranean coast of Asia Minor. It was in that year the ruler of this land, Hecatomnus of Mylasa, died and left control of the kingdom to his son, Mausolus. Hecatomnus, a local satrap to the Persians, had been ambitious and had taken control of several of the neighbouring cities and districts. Mausolus in his time, extended the territory even further so that it finally included most of southwestern Asia Minor.
 
Mausolus, with his queen Artemisia, ruled over Halicarnassus and the surrounding territory for 24 years. Mausolus, though he was descended from the local people, spoke Greek and admired the Greek way of life and government. He founded many cities of Greek design along the coast and encouraged Greek democratic traditions.
 
Then in 353 B.C. Mausolus died, leaving his queen Artemisia, who was also his sister (It was the custom in Caria for rulers to marry their own sisters), broken-hearted. As a tribute to him, she decided to build him the most splendid tomb in the known world. It became a structure so famous that Mausolus's name is now associated with all stately tombs through our modern word mausoleum. The building was also so beautiful and unique it became one of the Seven Wonders of the Ancient World.
 
Soon after construction of the tomb started Artemisia found herself in a crisis. Rhodes, an island in the Aegean Sea between Greece and Asia Minor, had been conquered by Mausolus. When the Rhodians heard of his death they rebelled and sent a fleet of ships to capture the city of Halicarnassus. Knowing that the Rhodian fleet was on the way, Artemisa hid her own ships at a secret location at the east end of the city's harbour.
 
After troops from the Rhodian fleet disembarked to attack, Artemisia's fleet made a surprise raid, captured the Rhodian fleet, and towed it out to sea. Artemisa put her own soldiers on the invading ships and sailed them back to Rhodes. Fooled into thinking that the returning ships were their own victorious navy, the Rhodians failed to put up a defense and the city was easily captured quelling the rebellion.
 
The Mausoleum overlooked the city of Halicarnassus for many centuries. It was untouched when the city fell to Alexander the Great in 334 B.C. and still undamaged after attacks by pirates in 62 and 58 B.C.. It stood above the city ruins for some 17 centuries.
 
Then a series of earthquakes shattered the columns and sent the stone chariot crashing to the ground. By 1404 A.D. only the very base of the Mausoleum was still recognizable. Crusaders, who had occupied the city from the thirteen century onward, recycled the broken stone into their own buildings. In 1522 rumours of a Turkish invasion caused Crusaders to strengthen the castle at Halicarnassus (which was by then known as Bodrum) and much of the remaining portions of the tomb was broken up and used within the castle walls. Indeed sections of polished marble from the tomb can still be seen there today.
 
In 1846 the Museum sent the archaeologist Charles Thomas Newton to search for more remains of the Mausoleum. He had a difficult job. He didn't know the exact location of the tomb and the cost of buying up all the small parcels of land in the area to look for it would have been astronomical. Instead Newton studied the accounts of ancient writers like Pliny to obtain the approximate size and location of the memorial, then bought a plot of land in the most likely location.
 
Digging down, Newton explored the surrounding area through tunnels he dug under the surrounding plots. He was able to locate some walls, a staircase, and finally three of the corners of the foundation. With this knowledge, Newton was able to figure out which plots of land he needed to buy.
 
Newton then excavated the site and found sections of the reliefs that decorated the wall of the building and portions of the stepped roof. Also a broken stone chariot wheel, some seven feet in diameter, from the sculpture on the roof was discovered. Finally, he found the statues of Mausolus and Artemisia that had stood at the pinnacle of the building.
 
Today these works of art stand in the Mausoleum Room at the British Museum. There the images of Mausolus and his queen forever watch over the few broken remains of the beautiful tomb she built for him.